Engines of Resistance
By Larry Clark
Alfred Publishing Company
Grade: 2.5
Year: 2012
Duration: 2'26"
Key: F
Time: 4/4
Tempo: Quarter Note = 120
Grade: 2.5
Year: 2012
Duration: 2'26"
Key: F
Time: 4/4
Tempo: Quarter Note = 120
Instrumentation
Flute Oboe (opptional Second Flute) Bb Clarinet Bb Bass Clarinet Eb Alto Saxophone Bb Tenor Saxophone Eb Baritone Saxophone Bb Trumpet F Horn Trombone/Baritone/Bassoon |
Baritone TC
Tuba Orchestra Bell Xylophone Timpani Snare Drum bass Drum Suspended Cymbal Crash Cymbals Brake Drum |
Click LISTEN to listen to a recording
Suggestions for Small Band Instrumentation
This piece is great in that there are not multiple parts per section. Because of the way the music is crafted there are only two themes present in the music at a time allowing for easy doubling or shifting of parts if needed. The only major concern is the oboe part. If you are missing an oboe a second flute can double this part. If there are not enough flute players you can substitute this part on clarinet through transposition just fine. Some recommendations from Larry Clark included that the oboe should use the alternate Db fingering for moving in between C and Db. This is especially helpful between measures 70-80.
Program Notes
In Engines of Resistance "two opposing themes resist one another. A constant motor element in the winds fights the lyrical melodic material. Each new angular theme is more forceful than the last. Percussion is a separate color opposing the winds." This exciting composition is full of energy and provides a great introduction or finale to any concert.
Composer
Larry Clark (b. 1963) is Vice President for Carl Fischer Music in New York. At Carl Fischer he serves as Editor-in-Chief and coordinates all of Carl Fischer’s publishing in all genres of music. However, his main focus is on selecting, editing and producing concert band and string orchestra music for the company. He travels the world representing Carl Fischer Music doing clinic/workshops and guest conducting appearances. Prior to this appointment he served as an Instrumental Music Editor for Warner Bros. Publications in Miami. His diverse background as a former middle school and university band director at Syracuse University, combined with his composing and editing, have placed Larry at the forefront of music for school ensembles.
His music is some of the most popular and most performed by concert bands and string orchestras of all ability levels. Larry is equally adept at writing music for beginners as he is for high school and college ensembles. His music is characterized by rhythmic verve, tuneful melodies, contains a fresh harmonic perspective, is well scored and stretches the musicianship of the performers. He prides himself on producing music that is not only intriguing to performers and audiences alike but that contains a playability that comes from a keen understanding of the technical difficulties inherent in all instruments. His pieces have been performed internationally and appear on numerous contest/festival performance required music lists. He is an ASCAP award-winning composer, has over 300 publications in print and is in demand to write commissions for bands and orchestras across the country.
Larry’s music has been influenced by a variety of composers and teachers. He credits his father, a long time band director in Florida, for teaching him the joy of music. He was influenced early in his writing career by Robert W. Smith. His decision to pursue composition and arranging was influenced further by Dr. John Hillard, composition professor at James Madison University. Dr. Pat Rooney, director of bands at James Madison University, gave Larry his first performance opportunities by performing his arrangements with the popular Marching Royal Dukes. Larry considers himself to be a product of the school band movement. His works are highly influenced by the standard band repertoire of composers such as Holst, Grainger, Schuman and Persichetti.
Larry is in demand as a clinician and guest conductor around the country. He has presented clinics recently at the Midwest Clinic, the New York State School Music Association conference, the Texas Music Educators Association conference, the Ohio Music Educators Association conference, the Florida Music Educators Association conference and the Wisconsin Music Educators Association conference as well as numerous guest-conducting appearances internationally.
He is co-author with Sandy Feldstein of the innovative band method The Yamaha Advantage. He holds a Bachelors Degree in Music Education from Florida State University and Masters Degrees in Conducting and Composition from James Madison University in Virginia
Information Collected From
http://www.jwpepper.com/Engines-of-Resistance/2350759.item#.VapxmipViko
http://larryclarkmusic.com/biography/
http://www.alfred.com/Products/Engines-of-Resistance--00-BFO9906.aspx
http://digitalscholarship.unlv.edu/cgi/viewcontent.cgi?article=1025&context=music_wind_ensemble
Suggestions for Small Band Instrumentation
This piece is great in that there are not multiple parts per section. Because of the way the music is crafted there are only two themes present in the music at a time allowing for easy doubling or shifting of parts if needed. The only major concern is the oboe part. If you are missing an oboe a second flute can double this part. If there are not enough flute players you can substitute this part on clarinet through transposition just fine. Some recommendations from Larry Clark included that the oboe should use the alternate Db fingering for moving in between C and Db. This is especially helpful between measures 70-80.
Program Notes
In Engines of Resistance "two opposing themes resist one another. A constant motor element in the winds fights the lyrical melodic material. Each new angular theme is more forceful than the last. Percussion is a separate color opposing the winds." This exciting composition is full of energy and provides a great introduction or finale to any concert.
Composer
Larry Clark (b. 1963) is Vice President for Carl Fischer Music in New York. At Carl Fischer he serves as Editor-in-Chief and coordinates all of Carl Fischer’s publishing in all genres of music. However, his main focus is on selecting, editing and producing concert band and string orchestra music for the company. He travels the world representing Carl Fischer Music doing clinic/workshops and guest conducting appearances. Prior to this appointment he served as an Instrumental Music Editor for Warner Bros. Publications in Miami. His diverse background as a former middle school and university band director at Syracuse University, combined with his composing and editing, have placed Larry at the forefront of music for school ensembles.
His music is some of the most popular and most performed by concert bands and string orchestras of all ability levels. Larry is equally adept at writing music for beginners as he is for high school and college ensembles. His music is characterized by rhythmic verve, tuneful melodies, contains a fresh harmonic perspective, is well scored and stretches the musicianship of the performers. He prides himself on producing music that is not only intriguing to performers and audiences alike but that contains a playability that comes from a keen understanding of the technical difficulties inherent in all instruments. His pieces have been performed internationally and appear on numerous contest/festival performance required music lists. He is an ASCAP award-winning composer, has over 300 publications in print and is in demand to write commissions for bands and orchestras across the country.
Larry’s music has been influenced by a variety of composers and teachers. He credits his father, a long time band director in Florida, for teaching him the joy of music. He was influenced early in his writing career by Robert W. Smith. His decision to pursue composition and arranging was influenced further by Dr. John Hillard, composition professor at James Madison University. Dr. Pat Rooney, director of bands at James Madison University, gave Larry his first performance opportunities by performing his arrangements with the popular Marching Royal Dukes. Larry considers himself to be a product of the school band movement. His works are highly influenced by the standard band repertoire of composers such as Holst, Grainger, Schuman and Persichetti.
Larry is in demand as a clinician and guest conductor around the country. He has presented clinics recently at the Midwest Clinic, the New York State School Music Association conference, the Texas Music Educators Association conference, the Ohio Music Educators Association conference, the Florida Music Educators Association conference and the Wisconsin Music Educators Association conference as well as numerous guest-conducting appearances internationally.
He is co-author with Sandy Feldstein of the innovative band method The Yamaha Advantage. He holds a Bachelors Degree in Music Education from Florida State University and Masters Degrees in Conducting and Composition from James Madison University in Virginia
Information Collected From
http://www.jwpepper.com/Engines-of-Resistance/2350759.item#.VapxmipViko
http://larryclarkmusic.com/biography/
http://www.alfred.com/Products/Engines-of-Resistance--00-BFO9906.aspx
http://digitalscholarship.unlv.edu/cgi/viewcontent.cgi?article=1025&context=music_wind_ensemble